Wednesday, February 24, 2016





Paul Laurence Dunbar

Paul Laurence Dunbar was an American poet, novelist, and playwrite of the late 19th and early 20th centuries. Born in Dayton, Ohio to parents who had been enslaved in Kentucky before the American Civil War.  Dunbar began to write stories and verse when still a child and was president of his high school's literary society. He published his first poems at the age of 16 in a Dayton newapaper. Much of Dunbar's more popular work in his lifetime was written in the Negro dialect associated with the antebellum South, though he wrote in several dialects, including German and the midwestern regional dialect of James Whitcomb Riley. Dunbar's work was praised by William Dean Howell's a leading editor associated with the Harper's Weekly, and Dunbar was one of the first African American writers to establish an international reputation. He wrote the lyrics to the musical comedy, In Dahomey (1903), the first all African American musical produced on broadway; the musical also toured in the United States and the United Kingdom. Dunbar also wrote in conventional English in other poetry and novels; since the late 20th century, scholars have become more interested in these other works. *wikipedia 


Paul Laurence Dunbar, was a poet who also influenced my writing. After reading his work I began to experiment with slave dialect poetry, it was fun and very challenging. What I find most interesting of Mr. Dunbar's work, it still echoes the same dynamics of racism that exists today, over a hundred years later. In the poem 'We Wear The Mask,' he describes the mask/the pain and suffering of black people living in a society where we are are always judged, treated unfairly and scorned simply for the color of our skin.

Below are a few of Paul Dunbar's poems




We Wear the Mask


We wear the mask that grins and lies,

It hides our cheeks and shades our eyes,

This debt we pay to human guile;

With torn and bleeding hearts we smile,

And mouth with myriad subtleties.

Why should the world be over-wise,

In counting all our tears and sighs?

Nay, let them only see us, while

       We wear the mask.


We smile, but, O great Christ, our cries

To thee from tortured souls arise.

We sing, but oh the clay is vile

Beneath our feet, and long the mile;

But let the world dream otherwise,

       We wear the mask!




(Slave Dialect Poem)

When Malindy Sings


G'way an' quit dat noise, Miss Lucy--

Put dat music book away;

What's de use to keep on tryin'?

Ef you practise twell you're gray,

You cain't sta't no notes a-flyin'

Lak de ones dat rants and rings

F'om de kitchen to de big woods

When Malindy sings.

You ain't got de nachel o'gans

Fu' to make de soun' come right,

You ain't got de tu'ns an' twistin's


Fu' to make it sweet an' light.

Tell you one thing now, Miss Lucy,

An' I 'm tellin' you fu' true,

When hit comes to raal right singin',

'T ain't no easy thing to do.

Easy 'nough fu' folks to hollah,

Lookin' at de lines an' dots,

When dey ain't no one kin sence it,

An' de chune comes in, in spots;

But fu' real malojous music,

Dat jes' strikes yo' hea't and clings,

Jes' you stan' an' listen wif me

When Malindy sings.

Ain't you nevah hyeahd Malindy?

Blessed soul, tek up de cross!

Look hyeah, ain't you jokin', honey?

Well, you don't know whut you los'.

Y' ought to hyeah dat gal a-wa'blin',

Robins, la'ks, an' all dem things,

Heish dey moufs an' hides dey face.

When Malindy sings.

Fiddlin' man jes' stop his fiddlin',

Lay his fiddle on de she'f;

Mockin'-bird quit tryin' to whistle,

'Cause he jes' so shamed hisse'f.

Folks a-playin' on de banjo

Draps dey fingahs on de strings--

Bless yo' soul--fu'gits to move 'em,

When Malindy sings.


She jes' spreads huh mouf and hollahs,

"Come to Jesus," twell you hyeah

Sinnahs' tremblin' steps and voices,

Timid-lak a-drawin' neah;

Den she tu'ns to "Rock of Ages,"

Simply to de cross she clings,

An' you fin' yo' teahs a-drappin'

When Malindy sings.

Who dat says dat humble praises

Wif de Master nevah counts?

Heish yo' mouf, I hyeah dat music,

Ez hit rises up an' mounts--

Floatin' by de hills an' valleys,

Way above dis buryin' sod,

Ez hit makes its way in glory

To de very gates of God!

Oh, hit's sweetah dan de music

Of an edicated band;

An' hit's dearah dan de battle's

Song o' triumph in de lan'.

It seems holier dan evenin'

When de solemn chu'ch bell rings,

Ez I sit an' ca'mly listen

While Malindy sings.

Towsah, stop dat ba'kin', hyeah me!

Mandy, mek dat chile keep still;

Don't you hyeah de echoes callin'

F'om de valley to de hill?

Let me listen, I can hyeah it,

Th'oo de bresh of angel's wings,

Sof' an' sweet, "Swing Low, 

Sweet Chariot,"

Ez Malindy sings. 



Suppose


IF 'twere fair to suppose

That your heart were not taken,

That the dew from the rose

Petals still were not shaken, 

I should pluck you,

Howe'er you should thorn me and scorn me,

And wear you for life as the green of the 

bower.


If 'twere fair to suppose

That that road was for vagrants,

That the wind and the rose,

Counted all in their fragrance;

Oh, my dear one,

By love, I should take you and make you
,
The green of my life from the scintillant hour.



Forever


I HAD not known before

Forever was so long a word.

The slow stroke of the clock of time

I had not heard.

'Tis hard to learn so late;

It seems no sad heart really learns,

But hopes and trusts and doubts and fears,

And bleeds and burns.

The night is not all dark,

Nor is the day all it seems,

But each may bring me this relief 

My dreams and dreams.

I had not known before

That Never was so sad a word,

So wrap me in forgetfulness 

I have not heard. 




It would be remiss of me not to mention that throughout the turbulent times in history that African Americans have fought and died for the right to be free and treated like human beings in this country, we were not alone. Alongside of the African American heroes of activism were white people who also had the courage of their conviction to believe in the spiritual righteousness to act. Despite the very real threat of being ostracize, alienated, beaten and even killed; they stood up and challenged white supremacy and the hatred of their own people. Some white people would call them traitors, I would call it humanity. Although, these people are rarely mentioned in the struggles of African Americans in history by mainstream media and academia, the movement of freedom and equality was strengthen by their support. It is these compassionate people who maintain and balance the reality that not all white people are racist. Although as African Americans we struggle to keep the anger of our plight in society at bay towards those who are guilty of racism, it is a redeeming quality we welcome and appreciate...and I say, thank you to all those who stand/stood up to the injustices and wickedness of racism and systemic oppression!

These are some of the names and faces of the unsung white heroes.






"Enslave the liberty of but one human being and the liberties of the world are put in peril."

A quote by...

 William Lloyd Garrison

1. (December 12, 1805 – May 24, 1879) was a prominent American abolitionist, journalist, suffragist, and social reformer. He is best known as the editor of the abolitionist newspaper The Liberator, which he founded with Isaac Knapp in 1831 and published in Massachusetts until slavery was abolished by Constitutional amendment after the American Civil War. He was one of the founders of the American Anti-Slavery Society. He promoted "immediate emancipation" of slaves in the United States.



The Quakers
William Wells Brown, who had freed himself from enslavement by escape and later worked on the Underground Railroad as well as becoming a noted lecture and writer for the abolitionist cause, testified that the reputation of Quakers for anti-slavery was well known among the enslaved. No fugitive, Brown wrote, was ever betrayed by a Quaker.

*****



2. Thomas Garrett (1789-1871) was a Quaker and a known conductor of the Underground Railroad. In 1848 he and fellow Quaker John Hunn were brought to trial by two slave-owners on charges of harboring and aiding fugitive slaves. The defendants were found guilty by the U.S. Circuit Court in Delaware, presided over by Chief Justice Roger B. Taney, who ten years later would deliver the landmark 'Dred Scott Decision.' Harriet Beecher Stowe cites Garrett's 1848 trial as inspiration for some scenes in her influential anti-slavery novel 'Uncle Tom's Cabin.



3. Elijah F. Pennypacker (1804-1888) a convinced Quaker, was originally of Mennonite descent. He was a politician and activist who labored tirelessly in the anti-masonic, temperance, and anti-slavery movements. Pennypacker's home in Chester County, Pa., was a vital station on the underground railroad. He was a member of Radnor Monthly Meeting and a minister until his death in 1888.



4. John Brown (May 9, 1800 – December 2, 1859) was a white American abolitionist who believed armed insurrection was the only way to overthrow the institution of slavery in the United States.
Brown's attempt in 1859 to start a liberation movement among enslaved African Americans in Harpers Ferry, Virginia (later part of West Virginia), electrified the nation. He was tried for treason against the Commonwealth of Virginia, the murder of five men and inciting a slave insurrection. He was found guilty on all counts and was hanged. Southerners alleged that his rebellion was the tip of the abolitionist iceberg and represented the wishes of the Republican Party to end slavery. Historians agree that the Harpers Ferry raid in 1859 escalated tensions that, a year later, led to secession and the American Civil War.



5. Robert Ryan was born in Chicago, Illinois, the first child of Mable Arbutus (Bushnell), a secretary, and Timothy Aloysius Ryan, who was from a wealthy family that owned a real estate firm. Ryan was a liberal Democrat who tirelessly supported civil rights issues. Despite his military service, he also came to share the pacifist views of his wife Jessica, who was a Quaker. By the mid-1960s, Ryan's political activities included efforts to fight racial discrimination. He served in the cultural division of the Committee to Defend Martin Luther King and, with Bill Cosby, Robert Culp, Sidney Poitier, and other actors, helped organize the short-lived Artists Help All Blacks.

Ryan's film work often ran counter to the political causes he embraced. He was a pacifist who starred in war movies, westerns, and violent thrillers.



6. Juliette Morgan was the only child of Frank and Lila Morgan of Montgomery, Alabama. She was a seventh-generation Southerner and a third-generation Alabamian born into a white family with high status in the community.  In 1939, 16 years before the famous Montgomery Bus Boycott, Morgan began writing letters to the Montgomery Advertiser, the city's local newspaper, denouncing the horrible injustices she witnessed on the city buses. In these letters, she said segregation was un-Christian and wrong, and the citizens of Montgomery should do something about it. The response was immediate: Morgan lost her job at a local bookstore.
One morning as she rode the bus, Morgan watched a black woman pay her fare and then leave the front door of the bus to re-enter through the back door, as was the custom. As soon as the black woman stepped off, the white bus driver pulled away, leaving the woman behind even though she'd already paid her fare. Incensed, Morgan jumped up and pulled the emergency cord. She demanded the bus driver open the door and let the black woman come on board. No one on the bus, black or white, could believe what they were seeing. In the days that followed, Morgan pulled the emergency cord every time she witnessed such injustices.

Morgan was bombarded by obscene phone calls and hate mail. White people boycotted the library where she worked. They called her an extremist. Teenage boys taunted and humiliated her in public and in front of her staff at the library. A cross was burned in her front yard. Some of Morgan's friends said she was mentally ill and demanded she be fired. Morgan's personal campaign against racism and injustice eventually caused her to become estranged from friends, former students, colleagues, neighbors and even her own mother. Because the library superintendent and trustees still refused to fire her from her job, the mayor withheld municipal funding to the library so her job would be cut. Anxiety and depression overwhelmed her until, on July 15, 1957, she resigned her position at the library.
The next morning, Morgan's mother found her dead in her bed with an empty bottle of sleeping pills by her side. Morgan had left a note that simply said, "I am not going to cause any more trouble to anybody." The toll of feeling alone in her work against racism had been too much for her.

7. In 1961, the Congress of Racial Equality (CORE) began to organize Freedom Rides. The first departed from Washington, D.C. and involved 13 black and white riders who rode into the South challenging white only lunch counters and restaurants. When they reached Anniston, Alabama one of the buses was ambushed and attacked. Meanwhile, at an SNCC meeting in Tennessee, Lewis, Zwerg and 11 other volunteers decided to be reinforcements. Zwerg was the only white male in the group. Although scared for his life, Zwerg never had second thoughts. He recalled, "My faith was never so strong as during that time. I knew I was doing what I should be doing.
The group traveled by bus to 

Birmingham, where Zwerg was first arrested for not moving to the back of the bus with his black seating companion, Paul Brooks. Three days later, the riders regrouped and headed to Montgomery. At first the terminal there was quiet and eerie, but the scene turned into an ambush, with the riders attacked from all directions. . "Mr. Zwerg was hit with his own suitcase in the face. Then he was knocked down and a group pummeled him". The prostrate activist was beaten into unconsciousness somewhere around the time a man took Zwerg's head between his knees while others took turns pounding and clawing at his face. At one point while Zwerg was unconscious, three men held him up while a woman kicked him in the groin. He recently did a speech on May 18, 2011 at Troy University Rosa Parks Museum. Hespoke about the effect the Freedom Rides had on his life. In a recent interview with Lisa Simeone Jim talked about how blessed he was to have been a part of the Movement.



8. Viola Fauver Gregg Liuzzo (April 11, 1925 – March 25, 1965) was a Unitarian Universalist civil rights activist from Michigan. In March 1965 Liuzzo, then a housewife and mother of 5 with a history of local activism, heeded the call of Martin Luther King Jr and traveled from Detroit, Michigan to Selma, Alabama in the wake of the Bloody Sunday attempt at marching across the Edmund Pettus Bridge. Liuzzo participated in the successful Selma to Montgomery marches and helped with coordination and logistics. Driving back from a trip shuttling fellow activists to the Montgomery airport, she was shot dead by members of the Ku Klux Klan. She was 39 years old.



9. Michael Francis Moore (born April 23, 1954) is an American documentary filmmaker, screenwriter, author, journalist, actor, and left-wing political activist. He is the director and producer of Fahrenheit 9/11 (2004), a critical look at the presidency of George W. Bush and the War on Terror, which is the highest-grossing documentary at the American boxoffice of all time and winner of the Palme d'Or. His film Bowling for Columbine (2002), which examines the causes of the Columbine High School massacre, won the Academy Award for Documentary Feature. Both Fahrenheit 9/11 and Sicko (2007), which examines health care in the United States, are among the top ten highest-grossing documentaries. In September 2008, he released his first free movie on the Internet, Slacker Uprising, which documented his personal quest to encourage more Americans to vote in presidential elections. He has also written and starred in the TV shows TV Nation, a satirical news magazine television series and The Awful Truth, a satirical show.
Moore's written and cinematic works criticize topics such as globalization, large corporations, assault weapon ownership, U.S. Presidents Bill Clinton and George W. Bush, the Iraq War, the American health care system, and capitalism. In 2005 Time magazine named Moore one of the world's 100 most influential people.




Michael Moore is the example of a man who views the world in realistic terms, not just in black and white, but as a whole connective picture. With all the social, racial and immoral problems that occur in this society, as a white man, he doesn't stick his head in the sand and pretend the problems do not exist. We do not expect white people to be pro-black, as diverse cultures; everyone has the right to embrace their own heritage with pride and celebration including African Americans.
A white person just need to understand what it means to be African American in a racist construct, all that is required is to empathize, recognize and acknowledge that racism still  exists, how it operates to keep a people oppressed and finally, to take responsibility for it as an individual and group. Then make the effort to be educated to other cultures outside of the comfort zone of white supremacy and privilege and change how this system affects minorities. If white people could just do this, it could change the world. I truly believe that it is winding down to the time that “The Most High” is giving each of us a choice to do the right thing, to turn towards Him and repent and put the effort forward to care for our fellow man regardless of ethnicity, to stand up for injustices and evil that occurs everywhere. If not, well the scriptures tell us in these last days what will happen to the people who do not.



Former President Jimmy Carter said it best when asked in an interview: 


Is there more racism in the country now than when you were president?




Jimmy Carter

Carter: “I think there is. After the civil-rights movement was successful—about a hundred years after the end of the War Between the States, the Civil War—there was a general feeling in this country that the main elements of racism, of white superiority, had finally been overcome. With the news media showing the police abuse toward black people in some places, and the terrible events in Charleston, South Carolina, maybe we’ve been awakened to say that we’ve still got a long way to go. The burgeoning of obvious, extreme racism has been a sobering factor for us.”

In 2002, Former President Jimmy Carter was awarded the Noble Peace Prize, at the end of his speech he said some very valuable and poignant words that we as human beings should take in to consideration and implement them in our lives.
“War may sometimes be a necessary evil. But no matter how necessary, it is always an evil, never a good. We will not learn how to live together in peace by killing each other's children.
The bond of our common humanity is stronger than the divisiveness of our fears and prejudices. God gives us the capacity for choice. We can choose to alleviate suffering. We can choose to work together for peace. We can make these changes - and we must.”




Matthew 25:40-46
40 And the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me.

41 Then shall he say also unto them on the left hand, Depart from me, ye cursed, into everlasting fire, prepared for the devil and his angels:

42 For I was an hungred, and ye gave me no meat: I was thirsty, and ye gave me no drink:

43 I was a stranger, and ye took me not in: naked, and ye clothed me not: sick, and in prison, and ye visited me not.

44 Then shall they also answer him, saying, Lord, when saw we thee an hungred, or athirst, or a stranger, or naked, or sick, or in prison, and did not minister unto thee?

45 Then shall he answer them, saying, Verily I say unto you, Inasmuch as ye did it not to one of the least of these, ye did it not to me.


46 And these shall go away into everlasting punishment: but the righteous into life eternal.

Friday, February 19, 2016




Kentucky Derby's Finest



In many instances the hardships of slavery made it necessary for the slaves to use their ingenuity to invent and improvise to make the work easier on the plantation. This lead to experiences and discoveries that was instrumental in putting the talents of freed slaves into lucrative opportunities that paid off in sports, businesses and other methods to support themselves. One such opportunity took some black men into racing horses.
Former slaves who worked in the horse stables of the Southern plantation owners gained this experience by taking care of the horses. The slaves would groom, ride and train the horses giving them the knowledge and experience to develop a relationship with the horses. Once freed, many of the slaves went on to be very successful jockeys in the Churchill Downs events.


During the 1800s black jockeys were at the height of their careers and dominated the sport in the southern states to win fifteen of the twenty eight races in the Kentucky Derby. In the first Kentucky Derby, thirteen of the fifteen riders were black jockeys and it was a nineteen year old black jockey, 

Oliver Lewis who won the first Kentucky Derby in 1875 riding Aristides. Lewis also analyzed race data and his influence was instrumental in the modern race charts used today.

Isaac Burns Murphy is considered one of the greatest thoroughbred racers of his time; he won three Kentucky Derbies, in 1884, 1890 and 1891. Murphy's style of riding was the traditional upright English position, while other jockeys rode in the common seated style. Murphy was the highest paid disc jockey with a yearly salary of $10,000 to 20,000 excluding his bonuses, the first Black to own several race horses and he invested in real estate properties. On June 25, 1890, Murphy raced in the most memorable contest of his life. Matched against a white counterpart, jockey Ed “Snapper” Garrison; the race would settle the debate as to which rider was the better jockey. In a contest that had definite racial overtones, Murphy was victorious. - See more at: http://www.blackpast.org/aah/murphy-isaac-burns-1861-1896#sthash.iMKdTcQQ.dpuf

Jerome Park in New York, William Walker , an eleven year old jockey rode for the first time. At twelve years old, he won his first race in Lexington. In 1875, Walker came in fourth place. Going on to the next year he finished eighth in the Kentucky Derby. Finally in 1877, at seventeen, Walker captured the Kentucky Derby riding Baden Baden for the win. William Walker went on to ride Ten Broeck against the race horse, Mollie McCarty at the Louisville Jockey Club in 1876 for the win. The race inspired the bluegrass song "Molly and Tenbrooks."
When Walker retired he continued as a trainer, giving owners advice on the premium horses to purchase and breed. His knowledge and experience of horse pedigree was superior and respected by many. William Walker's career as a jockey lasted nearly 25 years. He finished his career in the horse industry as a clocker at Churchill Downs for the spring and fall meets.

Willie Simms was born on this date in 1870. He was an African American horse jockey.
Born near Augusta, GA, Simms began racing in 1887, and was one of the most successful to use the short stirrup that gave the rider a crouching posture. En route to winning the United States riding title in 1893 and 1894, Simms won back-to-back Belmont Stakes. The following year, he raced in England where he became the first American jockey to win with an American horse in that country. In America, Simms won the 1896 Kentucky Derby in its first time as a one and a quarter mile race.
He repeated as the Derby winner in 1898, and went on to take the Preakness Stakes a few weeks later, making him the only African American jockey to win all of the Triple Crown races. During a brilliant 14-year career, Simms rode some of the great thoroughbred racehorses of the day such as two-time Horse of the Year winner, Henry of Navarre.
He finished his riding career with 1,125 wins and in 1977 was elected to the National Museum of Racing and Hall of Fame. http://www.aaregistry.org/

Former slaves and their sons starred at Churchill Downs in the 1800s. Not only was 1875 winner Aristides ridden by an African-American, he was trained by a former slave known for superb horsemanship, Ansel Williamson. Much like the equines he conditioned, Williamson was sold from owner to owner. In 1864, R.A. Alexander, proprietor of the famed Woodburn Stud Farm, purchased Williamson. After emancipation, the former slave continued to work with his former master as did a standout black jockey named Ed Brown who would train the 1877 Kentucky Derby winner Baden-Baden and eventually operate his own racing stable.
While the 1880s saw professional baseball draw the color line, not to be broken until the Brooklyn Dodgers called up Jackie Robinson in 1947, African-Americans continued to thrive on the track, then, suddenly, the rich African-American tradition at Churchill Downs ended. The rising tide of institutional racism that swept across Gilded Age America finally seeped into the world of horse racing. Jim Crow was on the ascent, and the U.S. Supreme Court itself blessed segregation in the 1896 Plessy v. Ferguson decision. Emboldened by the societal changes, resentful white jockeys at northern raceways conspired to force blacks off the track, in some cases literally. During the 1900 racing season, white jockeys in New York warned trainers and owners not to mount any black riders if they expected to win. They carried out their threats by boxing in black jockeys and riding them into—and sometimes over—the rails. In a cruel irony, free sons of former slaves felt the sting of whips directed their ways during races. Race officials looked the other way. Owners realized that black riders had little chance of winning given the interference. Even Willie Simms, the only African-American jockey to win all three of the Triple Crown events, had to beg for a mount.

By 1904, black riders had been virtually banned from the major racetracks, including Churchill Downs, and the complexion of the Kentucky Derby had been changed forever. Black participation dwindled, and no African-American rode the race between 1921 and 2000, when Marlon St. Julien guided Curule to a seventh-place finish. www.history.com